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20 OCTOBER 2005..Pierrot Mervil, Owen Leroy, Carl and Chin, Tamara Béliard, Sabine Albert, Venette Jean-Pierr, Makendal, Hilaire, Hyppolite Pierre, Stéphanie Casimir, Gigi, Guinée, Myriam Nader

CARL’S CORNER IN ENGLISH, FRENCH, SPANISH, AND HAITIAN CREOLE.

Courage to start and willingness to keep everlasting at it are the requisites for success.

Alonzo Newton Benn

Carl,

Keep up the good job man, the Haitian Supreme Court said yes to our Dumas so now get ready for the follow up, because we do not want him to be a second Desulmé in our history.

By Owen G. Leroy

October 2005

Another sad day for me to learn that, we Haitians, finally are doing our part in joining the rest of the world in assisting the world's greatest African Diaspora: The people of New Orleans. We finally decided to "come and help" that Diaspora which gave humanity this famous expression that we call Jazz and, for better or worse, we should not even try to hide the fact that our revolution helped fuel the greater "Louisiane," "La Nouvelle-Orléans" with "human capital and resources" and we, the "Slaves" became their slaves. Our "Créoles" became their "Créoles." Our miseries, pains and sufferings were translated into their "Blues" and became the whole world of Blues when we; decided to be FREE and Free at last. Free at last, when we decided to be independent, to "vivre libre ou mourir," (live free or die) more than 200 years ago.

It seems to me that we, Haitians, love to be called: "impoverished." We, Haitians, we love to tell the world how poor we are when we could, instead, with a little imagination and creativity, tell them that "we built that city", we set this continent free, our revolution created the concept that the French call "La Francophonie" and made history by setting people (Whites, Blacks, Colored, Indians and you name it), and minds free around this entire western continent and beyond.

Since Haiti became the "strange place" that I see on TV where brothers are killing each other "Baghdad style," I have been asking myself if that beautiful country that I have known has passsed the point of no return. The point where we, Natives or Diaspora, can only be satisfied with the appellation of "Third Worlder", "Barbaric", "Poorest Country in the Americas" and all those second class appellations?

Owen G. Leroy

(312) 593-8598

o.Leroy@comcast.net

(Former journalist at: Le Nouveau Monde, Radio Nationale)

Publisher / Owner of "les éditions DigiWorld"

Resides in Chicago, Illinois

PART OF AN INTERVIEW WITH CARL FOMBRUN IN ‘LAKAY MAGAZINE"

(By LORNA CHIN, LAKAY MAGAZINE, ISSUE NO. 7, SEPTEMBER 2005.)

REGARDING THE PLAY " PRINCE OF HAITI , KING OF PARIS ," with: "George Barnes of Take 2 Productions," at the Gusman Theater, Miami University , Miami , Florida - November 2004.

Lorna Chin .- Carl, did you attend Prince of Haiti/King of Paris here at the UM University of Miami in June?

CARL.- Yes, I did attend the premiere of Prince of Haiti/King of Paris at the University of Miami last June. It was an exceptional reading, acting, and singing performance by the participants and I enjoyed it greatly.

Lorna Chin .- Do you think the play accurately represented French colonial Haiti ?

CARL.- The Prince of Haiti/King of Paris depicted with artful accuracy the subject of Moreau de St.-Méry and his out of wedlock mulatto son, the racial, color, class struggle, costumes, customs and songs of this époque.

LORNA CHIN .- What did you know about Moreau de St.-Méry before you attended the play?

CARL.- As an adolescent, reading Haitian history, the name Moreau de St.-Méry was familiar to me as that of a Governor, a French colonial official in Haiti and not much else. Since the floods in the city of Gonaives , Haiti , attention has been focused on a French official by the same name who had criticized since then, the deforestation in the colony.

Lorna Chin .- What did you learn about Moreau de St.-Méry from the play?

CARL.- The details of his life, socially and politically, which I did not know before and much too detailed to elaborate presently, due to the time factor.

Lorna Chin .- Is there something specifically about 18 th century French colonial Haiti , that the play demonstrated, which you would like to comment on?

CARL.- What I noted at a glance was Moreau de St-Méry's struggle to function in both the colony and the French motherland, and his obvious fear of losing both worlds in his privileged position.

Lorna Chin .- Did you learn anything new about the history of Haiti ?

CARL.- Except for the details of Moreau de St-Méry's life, there is not much else about the history of Haiti in colonial times I was not aware of in this play.

Lorna Chin .- Would you like to comment on one specific character in the play: Moreau de St.-Méry, Louis (his mulatto son), Minette (the first black diva of the New World ), Chartron (the plantation owner who accuses Moreau of presenting a motion to free the slaves)?

CARL.- The poignant confrontation of Louis, the mulatto son facing Moreau de St.-Méry, the white father he never knew. Louis comes to understand his island heritage, and the complexity and sacrifices of the fight for freedom.

Minette, the first black diva of the Americas stars in "Beauty and the Beast" in the largest and most luxurious opera house in the New World , the Salle de Spectacles in Cap Francais , Haiti .

Chartron, the French instigator, the "agent provocateur" who owned a Haitian plantation, and who rocked Paris by accusing Moreau de St-Méry of supporting the abolition of slavery which caused Moreau's political ruin and the lynching of his family in Haiti by the plantation owners of French descent.

Lorna Chin .- Did you enjoy the dances?

CARL.- Yes. The dancing and singing were great and reminiscent as stated " of historically accurate French Baroque and Haitian Music.," which reconstructions were rarely before attempted, a mixture of 18 th century French colonial and Afro-Haitian dances…""

Lorna Chin .- What did you like best about Prince of Haiti/King of Paris ?

CARL.- It brought me back to an era which is long gone and gave me the opportunity to dwell again in some of the fascinating events which took place in Colonial times.

Lorna Chin .- Would you like to comment on Ms. Siebrecht's work?

CARL.- Kyle Siebrecht, for someone which roots are not related to the French and Afro-Haitian cultures, has done a fabulous job.

Lorna Chin .- What would you like to say to people who might be interested in going to see the play?

CARL.- Go for it : Music, Drama, Dance.

FROM TAMARA BÉLIARD, PRESIDENT ART SPACE PRODUCTIONS, MIAMI, FL.

Mr. Fombrun,

I hope this email finds you well.

I wanted to tell you about a movie that we are involved with called "Kidnappings."It is a movie/documentary about the unfortunate kidnappings presently going on in Haiti. It is an extremely well produced movie.

We are hosting a party for the press to view the movie this Friday at 7 PM at:

Would you be interested to come watch it? The Haitian and American press will be there as well. I think it is a monumental event and I think it is important to have the Herald there as well. Let me know your thoughts.

Also, I invite you to visit Art'Space Productions' website. There is a synopsis of the movie in the "EVENTS" section in the website. You will also see all the interesting events that we are producing this year.

Hope to hear from you soon.

Best Regards,

Tamara Beliard

T: (954) 253-1513

F: (786) 276-7545

www.artspaceproductions.com

FROM PROSPER "MAKENDAL" SYLVAIN JR. (some extracts)

Carl,

I thought you might be interested in this. Kindly post if you can. I hope all is well with you. I see you are back to the day-to-day "bump and grind" of the CDC. How was your vacation? Do you feel like you are due for another one? LOL! I hope you visited church while on vacation because I haven't heard you mention anything of the sort yet!

Looking forward to seeing you soon. "N'ap travay pi rèd." Some wonderful news coming soon...I'll keep you posted!

Prosper "Makendal" Sylvain, Jr.

Urban American News
Wednesday October 19, 2005

Tuesday October 18th marked the first day in a long and wonderful journey.

The Maroons, in conjunction with Serge Rodrigue and Eveline Pierre of The Haitian Heritage Museum kicked off the Miami-Dade County Middle and High School tour of bringing the arts to schools in the community. This tour will go on from October 18th, 2005 - April 2006 and will also include the 2nd Annual Haitian Heritage Museum Gala next year.

Poetry, art, dance, theater, music, literature and much more will be presented to various schools in Miami-Dade with a focus and emphasis on the beauty of Haitian heritage and culture.

At North Miami Middle School yesterday, ABC News covered an event that left both reporters, students and school officials amazed. Although Haitian Heritage officials arrived lately and the event itself started slightly late, the students remained patient, possibly knowing they were in for a treat.

The "Ayiti Exposé" tour will continue, headed by The Haitian Heritage Museum. The Maroons, along with various other artists, will participate in giving back to the community where "each one teach one" is more than just a saying and a proverb. It doesn't take an entire village to raise a child. Just a couple of willing villagers.

For more information on The Haitian Heritage Museum, log on to www.haitianheritagemuseum.com (600 Brickell Ave., suite 300-s) Miami, FL 33131.

Artist info:

www.themaroons.net



http://www.meccaakagrimo.com/



L. Duchatelier, freelance writer, publicist, Urban American News, Carib News Monthly.

Dear Makendal,

Thank you for the info. As for visiting church let me be candid with you, I am not religious. I want to be where the sun keeps shining through the pouring rain.

All the best,

Carl

In the same "technical" voice, had Bill Bennett chosen to say aborting all white babies would also lower the crime rate, his point would have been clearly understood. His usage of "black" leads me to surmise that Mr. Bennett views blacks as the cause of crime in America.

I find clarity in his statements; he helps to remind the complacent Negroes that in all reality, he and his kind (right wing Anglo-Saxons) think no differently today than their slave-master ancestors. Every time we forget and think that we can revere in our few accoutrements begin to point at the shortcomings our brothers and sisters in the US, Haiti or anywhere on the globe, a Bennett, a Barbara Bush or a David Duke comes along to bring us back to reality.

So, knowing how they feel about their own African American sons and daughters, how do you think they really feel about you, Haitians, and your nation Haiti. Do you still think they will help you reconstruct your country and allow you to walk away dignified and strong?

Signed: Sabine Albert

FROM VENETTE JEAN-PIERRE, REGARDING AMERICAN AIRLINES IN HAITI

American Airlines is, has and will continue to treat us unfairly for years and God knows for how long. Jet Blue would like to open a route to Haiti since they are already travelling to Dominican Republic and Puerto Rico. My request is if possible to for you to send out a message to our community to contact JetBlue requesting their services to our country. Atleast, 30 of my friends have done so and their friends will do the same.

We must do something about AA airfare to Haiti cost more than travelling to Europe or South America. My cousin paid a 1 way ticket to Haiti last month for $700.00, AA got away with what they are doing to the Haitians because we accept and agree with the bad treatments they are giving us. There is no competition for American Airlines. With Jet Blue, there will be and I am pretty sure they will change the way they do business in Haiti.

Thank you for your time and understanding.

Venette Jean-Pierre

FROM HYPPOLITE PIERRE TO « CARL’S CORNER. »

Carl,

Incidentally, I wrote a critique of Kathie Klarreich’s wonderful book yesterday, and posted it on the IRSP website. The link to that critique is:

http://irsp.org/cgi-bin/index.cgi?id=216&display=1

Best to you,

Hyppolite Pierre

Madame Dread, a book by Kathie Klarreich
By Hyppolite Pierre

If you are drawn to Haiti for professional reasons, or even if your sense of adventure takes you nonchalantly into a Caribbean mood, then you need to read Kathie Klarreich’s Madame Dread. Haiti in this autobiographical work, is all that you know the country is, all you had been told it is, and much more.

For this thirty-something Jewish girl in the late 1980’s from a respectable Ohio family, the fascination for that land began the strangest of ways: in political violence during an attempted coup that had put her life in danger. Amidst that political chaos, she sensed something much more significant and so she extended her three-month stay.

Thus began a level of fascination that did not start as typically with Vodou, in the heart and mind of a research student in Ethnology from some American Ivy League. It is instead a level of interest that emanated from the cheerfulness of a stampeded people, victims of political treachery and political violence. It is a fascination that also finds its raison d’être in the language of the masses with its infinite wisdom, as she rightly proves it through each chapter heading in this book.

The first lines in Madame Dread are so dreadful that they compel the reader to move to the next page, and to the next because each page or chapter builds the thirst to find out more and more about this seemingly strange land. Was Kathie hit by a stray bullet? Did she really decide to extend her stay in this country so prone to political violence?

Strangely enough, as one continues to read page after page, methodically until the last one, it becomes clear that Haiti is truly a land to love. It becomes clearer why one never leaves Haiti once he or she has been there. It’s a country that sticks to your bones and invades your bloodstream, for better and worse. However you feel afterwards about that place, you will at least never completely forget the country and its people, as depicted in this autobiography.

Madame Dread is a fascinating journey, before and after all. The author, Kathie Klarreich, is so brutally honest throughout that one feels like a voyeur, especially in the parts where she recounts some of her romantic experiences with men not of her ancestry. As the local music deeply rooted in Vodou, takes her into trances unknown to her until then, so does love and all that is determined by it: thrilling uncertainty.

She first travels to the place as a potential interest group organizer to have become overtime, more than just "one more foreign expert" in Haitian affairs. Haiti had become a part of her which she brilliantly recounted in virtually every single page, with the same ease and writing clarity.

This is no writing of the journalist Kathie Klarreich; it is instead the writing of a woman who has also given birth to a Haitian son, from a Haitian man with a Haitian name. The journalist Kathie is there throughout, with the accuracy of the details, the quality of observation, and the conclusion one is drawn to without her suggesting it overtly or subtly. However, it is Kathie the honorary Haitian who has added to her Jewish soul the heavy salt of Haitian culture.

This book has so many dimensions, that it truly gives everyone a rare glimpse at Haiti in its totality. In this autobiographical work, we learn or are reminded of the power of Vodou from the good (Rada) and the bad (Petro) perspectives. We learn or are reminded of the deep disconnect between the poor and the so-called rich.

However, that disconnect is not exposed through the classic elements of class or color. Rather she expresses, through focusing on the cultural issue, a more accurate view on the issue, still ignored or misunderstood by most. One gets to realize the power of language as a cultural expression, and perhaps even detect the economic and social reasoning behind the discomfort of many from well-to-do background with the majority language.

One also gets to look at the political pack whether their mantra is Aristide, or Roger Lafontant, Michel François, Raoul Cédras, or any other. The tradition of Haitian politics and politicians is exposed in their discomfort with or impossibility to respond directly to any question they have been asked. Frustrating as it is, it is also quite telling.

As this autobiographical work expands from the 1980’s through the second overthrow of Aristide in 2004, it is also a powerful reminder to those who were part of those political movements, or are just getting introduced to the politics of that land, how things evolved and evolve and live and die and disappear and reappear, all in a span of 20 years or less.

Haiti took Kathie Klarreich by storm and never left her. The book will also hold firmly your interest as you will begin to read it, and so you’ll desire and want to read more, and more, and more of the story until the last page. Afterwards, the shock will come through you. Haiti, to the reader of this biography, will perhaps never be once more just a place that is viewed through the simplistic eyes of hunger and anger on a television screen.

Madame Dread is the story of a country full of love, but also hungry for love, hungry to be loved. It is the story of betrayal at many different dimensions but also, a story of faith at many different levels: faith in a culture, in a people, in a language, in humanity.

It is the classic story of an ignored culture and country that only reappears on our screen or in our newspaper page when all seem to fall apart once more, as if they were ever put together in the first place. It is the story of the resiliency of a people and their nation, as lived by its author in this impeccable autobiography. It’s a story that could also easily be told on a movie screen.

Hyppolite Pierre is author of the forthcoming Haiti, Rising Flames from Burning Ashes, published by University Press of America

Celui qui jamais n’a pardonné à un ennemi n’a jamais connu l’une des plus sublimes joies de la vie.

John Kaspar Lavater (1741-1801)

RECU DE STÉPHANIE CASIMIR, ANIMATRICE ET JOURNALISTE, MONTRÉAL, CANADA

Cher ami Carl,

J'ai été déçue en lisant dans le «Carl's Corner» que tu étais de passage à Montréal en septembre dernier.

Tu n'as même pas pensé appeler ta compatriote et collègue de radio rencontrée l'année dernière à CPAM Radio Union en compagnie d'Arol Pinder lors d'une entrevue à l'émission Club Vacances.

Nous nous étions rendus ensemble à la Brûlerie St-Denis en compagnie d'un ami, Fred. Quels beaux échanges nous avions eus alors.

Je te pardonne malgré tout car je soupçonne que tu devais avoir énormément de gens à rencontrer. Ta liste de visite était exhaustive. De plus, comme je ne suis plus à la radio, peut-être as-tu eu du mal à me trouver?

Quoi qu'il en soit, je suis heureuse de voir que tu as passé du bon temps à Montréal.

Avant de me rendre compte qu'il s'agissait d'un passage récent à Montréal, je croyais que tu parlais de ton voyage de l'été dernier. Je me disais en lisant:«Mais, il nous a
royalement oubliés Arol et moi? Son temps passé en notre compagnie n'avait-il pas été agréable? Et la discussion passionnée avec mon ami Fred? »

Bon, ça va, je cesse de rechigner (ha!ha!)

P.S.- Un jeune haïtien présentera en novembre prochain à Montréal, son tout premier long métrage qui a pour titre: «CONVOITISES» mettant en vedette Fabienne Colas.

Il se nomme Jean Alix Holmand. Le film sera présenté dans les 4 (salle Léonardo Da Vinci) et 11 (Collège Ahuntsic) novembre 2005 à 18h et 20h.

Je voudrais aussi discuter avec toi d'une possible collaboration professionnelle.

Prends soin de toi.

Au plaisir de recevoir une réponse très bientôt,


Stéphanie Casimir,
Animatrice, journaliste,
Organisatrice d'événement
Montréal

Très chère Stéphanie,

Ce fut un énorme plaisir de te lire. Comment pourrais-je oublier ces agréables moment en ta compagnie à la Radio Union CPAM à Montréal lors de cette entrevue à l’émission Club Vacances, et ensuite nos randonnées à ce restaurant haitien pour aboutir à La Brulerie à St. Denis sur la rue Côte-des-Neiges en septembre de l’année passée (!) (?)

Je plaide coupable de ne pas t’avoir fait signe cette année, mais j’en rends aussi responsable notre ami Arol Pinder qui était avec moi à La Brûlerie encore cette fois, et m’avait promis d’appeler pour une autre interview à la Radio Union. Il ne l’a pas fait, mais il faut dire aussi que les événements se précipitaient et je suis resté moins longtemps à Montréal que je me l’étais promis. Ce n’est que partie remise.

De ce pas, j’ajoute à ma longue liste des adresses courriels internautes, le nom du cinéaste Jean-Alix Holmand qui va présenter son premier métrage ayant pour titre « CONVOITISES, » mettant en vedette Fabienne Colas. J’éspere qu’il lira cette lettre et qu’il m’en fera part d’avantage pour en parler sur le « Coin de Carl. »

Très chère Stéphanie, tu es parfaite pour la communication et tu réunis les qualités primordiales pour débuter dans ce métier : Jeunesse, Élan, Présence, Entregent, et Compétence. A ta disposition dans la mesure de mes faibles moyens.

Toujours plus haut (!)

Carl

Cher ami,

Je finis de lire la rubrique de ce jour et je profite pour t'en remercier, et aussi te féliciter pour la direction que le CDC envisionne. Compliments.

Cher ami, tu daignes nous revenir apres un si long séjour. Je suis très satisfaite que tu as l'air d'être en bonne et due forme, et que les activites du CDC reprendront comme par le passé.

Gigi

GUINÉE par CHEIKH YÉRIM SECK (un extrait)

De Sékou Touré à Lansana Conté, quarante-sept ans après son accession à l'indépendance, le pays n'a cessé de péricliter. L'agriculture est ruinée, l'économie s'effondre, le régime est isolé. Et bien qu'il l'ait institué, le chef de l'État ne peut se faire au jeu de la démocratie...

La Guinée déprime. La Guinée souffre. Et la Guinée se meurt. Ce grand pays d'Afrique de l'Ouest, le premier de l'Afrique subsaharienne à s'être libéré du joug colonial français, piétine aujourd'hui comme si l'Histoire bégayait. Sa capitale, Conakry, jadis appelée « La Belle », offre au visiteur un spectacle désolant de misère et de régression. Plongée dans l'obscurité dès le crépuscule, du fait d'un manque cruel d'électricité dont elle souffre depuis plusieurs années, elle donne l'image d'un gros bourg tropical assoupi.

Élevée aisément, Myriam Nader admet qu'elle a dû modérer son train de vie en Floride. Avec l'augmentation du coût de la vie, il lui serait impossible et trop coûteux de garder le même standing. Et bien sûr, comme ça arrive à tous les immigrés, il lui arrive d'avoir le mal de son pays Haiti, et d'être agglutinée à son téléviseur chaque fois qu'une nouvelle tension arrive.

Élevée dans l'élite haitienne, elle admet que les jours sont parfois difficiles et que toute sa famille est dispersée. Deux de ses frères sont ingénieurs et l'aîné est cardiologue au Miami Heart Institute, les autres sont dans l'art Haitien. Les parents Nader ont toujours cru aux vertus de l'éducation et ont élevé leurs enfants en leur enseignant des valeurs profondes.

Corruption : Haïti classée 154e dans le rapport de Transparency International

P-au-P, 18 oct. 05 [AlterPresse] --- Haïti figure parmi les 5 pays du monde où la corruption est la plus répandue durant ces dernières années, a appris AlterPresse, ce 18 octobre 2005, de l’organisation Transparency International.

Haïti occupe, cette année, la 154e place avec une note de 1,8 sur 10 suivie de la Birmanie (155e), du Turkménistan(156e), du Bengladesh (157e) et de la République Tchad (158e). En 2004, elle était classée en 153e position.

Selon l’organisation non gouvernementale allemande, plus de deux tiers des 159 nations figurant dans l’Indice de Perceptions de la Corruption 2005 (IPC) ont obtenu une note inférieure à 5 sur 10.

« La corruption est une cause majeure de la pauvreté ainsi qu’un obstacle pour la contrer », affirme Peter Eigen, président de Transparency International qui estime que « ces deux fléaux s’alimentent réciproquement, enfermant les populations dans le cycle de la misère »

Eigen indique que la corruption doit être combattue avec vigueur pour que « toute aide allouée puisse provoquer une vraie différence pour libérer les gens de la pauvreté ».

L’organisation non gouvernementale place en tête de liste des pays les moins corrompus l’Islande, la Finlande, la Nouvelle-Zélande, le Danemark et Singapour.

Les Etats-Unis, la France, la Belgique sont respectivement classés en 17e, 18e et 19e position.

Presque la moitié des pays inclus dans l’Indice ont atteint une note inférieure à 3 dans l’IPC, indiquant ainsi un problème grave de corruption. L’indice est basé sur 16 sondages réalisés par 10 institutions indépendantes auprès d’analystes et de gens d’affaires. Pour être inclus dans la liste, un pays doit apparaître dans au moins trois sondages.

Le 15 septembre 2005, les Nations Unies avaient ratifié la Convention contre la corruption. L’entrée en vigueur de ce nouvel outil onusien est prévue pour le 14 décembre 2005. « La Convention est le premier instrument mondial destiné à aider les États membres à combattre la corruption, dans les secteurs public et privé. Le mécanisme prévu dans la Convention, qui permet aux États de récupérer les milliards de fonds détournés, est une première dans ce domaine », selon un communiqué de presse de l’ONU publié à New York.

Y tu lo sabes.

En el virtuisismo exacto
de una estrofa que reclama
la parte endeleble
de una marca depositaria,
un estigma, un preludio
entretejidos que te atan
bucles de rojas perlas
que rodean...intermediarias!

Y es asi, de cada rocío
perpetuamente despejada,
en tus ojos mi afán
en los míos tu batalla,
con tus labios cereza
en mi vientre con miradas
dichos que por si mismos
no solo miran, también hablan!

Y tal vez, en mi boca
endeudada,
insume el tiempo
el latir del calendario,
elevas tu rostro
hacia el mío y callada
sabes a mis lirios
como el arma al mercenario,
entonces...sin aliento
al unir los cuerpos, proclamas,
la húmeda verdad
de tanto elixir carcelario,
rozas mi sexo
vestida con la desnudez del alma,
y te cubren mis corceles
con la espada del corsario!

Y me mojo
en tus laureles...
me declaro en tu
cuerpo...culpable!
culpable de haberte hecho
la mujer que hoy ya eres,
esa señora mía
tan mía y tu...lo sabes!

Autor de la Poesia: Dany

Preval gen sipow Lavalas pov yo ak Marc Louis Bazin ki gen supow birokrat Lavalas yo.

Pou eleksion kap vini a pati Lavalas la pa genyen yon kandida ofisyèl men li pral jwe yon gwo wòl nan eleksyion sa yo. Sa se verite sou tanbou. Koulye a Lavalas ape sipote 2 kandida.

20 mwa apre depa Jean-Bertrand Aristide pati Lavalas li a ka jwe yon wòl enpotan nan eleksyon prezidansyèl lane sa a san Lavalas pa genyen yon kandida ofisyèl.

Lavalas dominen politik peyi dayiti paske majorite pov nan peyi a idantifye avè li. Lavalas pa nonmen yon kandida pou eleksion mwa novanm ki ranvwaye pou mwa desanm lanne 2005. Alos vot Lavalas la pral separe ak kandida Marc Louis Bazin epi ansyen prezidan René Préval ki kandida.

Lanne 1990 gouvènman meriken te sipote Bazin olye de pè Jean Bertrand Aristide. Aristide bat Bazin tèt kale e 8 mwa apre lame dayiti pran bot Jean Bertrand. Lanne 1992 rive pou lanne 1993 Bazin sete pwemye minis putshis yo e lè Aristide reelu lanne 2000 li nonmen Mako Bazin Minis Planifikasyon.

Bazin koulye a sou banyè MIDH, Mouvman pou Etablisman Demokrasi nan Peyi Dayiti ape mande patizan Aristide pou sipote li. Lape mande pou gouvènman Latortue a sispann pèsekite patizan Lavalas yo. Li pwomèt libere prizonye Lavalas yo ki nan prizon epi fè prezidan Aristide kite kontinan Lafrik epi retounen nan peyi Dayiti.

"Konstitusyon peyi dayiti klè kon dlo kokoye. Ayisyen pa dwe viv an exil e nap koumanse ak prezidan Aristide pèp ayisyen renmen plis '' Bazin deklare.

Gouvènman meriken George W. Bush opoze retou Aristide nan peyi dayiti paske prezidan ayisien sa a te tolere trafik drog, korypsion, epi abize dwa moun.

Bazin recevwa sipow politisyen Lavalas kon ansyen senatè Gérard Gilles, ansyen senatè Yvon Feuillé ak Reveran Yvon Massac tout moun te konnen kon kinam Aristide.

Men, sa pa sèten si Aristide ap sipote Bazin. Aristide chita sou blok glas li nan peyi Afrik di Sud e pèson pa konnen si li gen ifliyans toujou sou patizan l yo.

Kant a pou ansyen prezidan Preval ki kandida se yon mystè. Li pa pale ak jounalis e pèson pa wè li depi lè li deklare kandidatu li. Lanne 1996 rive pou lanne 2001 opozisyon an te toujou di Preval sete pope twèl Jean Bertrand Aristide men tout moun te dako Preval pat volè ak gouvènman li a ki pat nan kraze zo.

Preval popilè ak majorite moun pov yo nan pati Lavalas. Semen pase abitan Cite Soleil soti nan two koukouy yo vil potoprens pou sipote Preval tèt kale.

Eleksyon sa a pral deside pa plizyè milyon abitan bidonvil ak peyizan ki toujou idantifye ak Lavalas

"Pèson paka genyen eleksyon sa a san vot Lavalas" dapre Robert Fatton yon ekriven ayisyen. Li met tou li: " Lavalas se yon vre mouvman ki populè nan klass mwayenn la ak pèp la. Men jiska prezan pèson paka di kote yo kanpe jodi a. »

Nan vil Miyami kandida kap mennen ak tout moun kap pale de yo se Charlito Baker, Duma Simeus, ak Marc Bazin.

SE LA MAP RETE POU JODI A. Na pale demen si Granmèt la vle.

KAL

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